| “You know I have never needed to blush before you, up to this day, though perhaps you would have been glad enough to make me,” said Lizabetha Prokofievna,--with majesty. “Good-bye, prince; forgive me for bothering you. I trust you will rest assured of my unalterable esteem for you.” |
| As to recollecting what he had been thinking of all that time, he could not. He caught himself, however, indulging in one thought which made him roar with laughter, though there was nothing really to laugh at in it; but he felt that he must laugh, and go on laughing. |
“Well!” she cried, “we _have_ ‘put him through his paces,’ with a vengeance! My dears, you imagined, I believe, that you were about to patronize this young gentleman, like some poor _protégé_ picked up somewhere, and taken under your magnificent protection. What fools we were, and what a specially big fool is your father! Well done, prince! I assure you the general actually asked me to put you through your paces, and examine you. As to what you said about my face, you are absolutely correct in your judgment. I am a child, and know it. I knew it long before you said so; you have expressed my own thoughts. I think your nature and mine must be extremely alike, and I am very glad of it. We are like two drops of water, only you are a man and I a woman, and I’ve not been to Switzerland, and that is all the difference between us.”
“Another excellent idea, and worth considering!” replied Lebedeff. “But, again, that is not the question. The question at this moment is whether we have not weakened ‘the springs of life’ by the extension...”
She was accompanied sometimes in her carriage by a girl of sixteen, a distant relative of her hostess. This young lady sang very well; in fact, her music had given a kind of notoriety to their little house. Nastasia, however, was behaving with great discretion on the whole. She dressed quietly, though with such taste as to drive all the ladies in Pavlofsk mad with envy, of that, as well as of her beauty and her carriage and horses.
| “By all means! I assure you I am delighted--you need not have entered into all these explanations. As for your remarks about friendship with me--thanks, very much indeed. You must excuse my being a little absent this evening. Do you know, I cannot somehow be attentive to anything just now?” |
| “Yes, that wasn’t a clever remark,” said Alexandra. |
“She sprang forward and stood still in front of the reptile as if she had been turned to stone. The beast stopped too, but its tail and claws still moved about. I believe animals are incapable of feeling supernatural fright--if I have been rightly informed,--but at this moment there appeared to me to be something more than ordinary about Norma’s terror, as though it must be supernatural; and as though she felt, just as I did myself, that this reptile was connected with some mysterious secret, some fatal omen.
“Forgive me, it’s a schoolboy expression. I won’t do it again. I know quite well, I see it, that you are anxious on my account (now, don’t be angry), and it makes me very happy to see it. You wouldn’t believe how frightened I am of misbehaving somehow, and how glad I am of your instructions. But all this panic is simply nonsense, you know, Aglaya! I give you my word it is; I am so pleased that you are such a child, such a dear good child. How _charming_ you can be if you like, Aglaya.”“Mamma is not very well, nor is Aglaya. Adelaida has gone to bed, and I am just going. We were alone the whole evening. Father and Prince S. have gone to town.”
| “How do you mean--applaud?” |
“Then it was not simply a matter of bills?” Muishkin said at last, with some impatience. “It was not as she said?”
| “Yesterday morning the prince came to see me. Among other things he asked me to come down to his villa. I knew he would come and persuade me to this step, and that he would adduce the argument that it would be easier for me to die ‘among people and green trees,’--as he expressed it. But today he did not say ‘die,’ he said ‘live.’ It is pretty much the same to me, in my position, which he says. When I asked him why he made such a point of his ‘green trees,’ he told me, to my astonishment, that he had heard that last time I was in Pavlofsk I had said that I had come ‘to have a last look at the trees.’ |
| “What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder. |
| “You don’t seem to want to tell us,” said Aglaya, with a mocking air. |
| “Now tell us about your love affairs,” said Adelaida, after a moment’s pause. |
He had found her in a condition approaching to absolute madness. She screamed, and trembled, and cried out that Rogojin was hiding out there in the garden--that she had seen him herself--and that he would murder her in the night--that he would cut her throat. She was terribly agitated all day. But it so happened that the prince called at Hippolyte’s house later on, and heard from his mother that she had been in town all day, and had there received a visit from Rogojin, who had made inquiries about Pavlofsk. On inquiry, it turned out that Rogojin visited the old lady in town at almost the same moment when Nastasia declared that she had seen him in the garden; so that the whole thing turned out to be an illusion on her part. Nastasia immediately went across to Hippolyte’s to inquire more accurately, and returned immensely relieved and comforted.
| It was generally agreed, afterwards, in recalling that evening, that from this moment Nastasia Philipovna seemed entirely to lose her senses. She continued to sit still in her place, looking around at her guests with a strange, bewildered expression, as though she were trying to collect her thoughts, and could not. Then she suddenly turned to the prince, and glared at him with frowning brows; but this only lasted one moment. Perhaps it suddenly struck her that all this was a jest, but his face seemed to reassure her. She reflected, and smiled again, vaguely. |
“Not in the least--not in the least, I assure you. On the contrary, I am listening most attentively, and am anxious to guess--”
| “Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.” |
| “Here they are,” said Rogojin, after a still longer pause. |
| Lizabetha Prokofievna was about to rise, when she saw Hippolyte laughing, and turned upon him with irritation. |
At last, about half-past ten, the prince was left alone. His head ached. Colia was the last to go, after having helped him to change his wedding clothes. They parted on affectionate terms, and, without speaking of what had happened, Colia promised to come very early the next day. He said later that the prince had given no hint of his intentions when they said good-bye, but had hidden them even from him. Soon there was hardly anyone left in the house. Burdovsky had gone to see Hippolyte; Keller and Lebedeff had wandered off together somewhere.
| “Perhaps you are right,” said the prince, smiling. “I think I am a philosopher, perhaps, and who knows, perhaps I do wish to teach my views of things to those I meet with?” |
“I felt sure of that, or I should not have come to you. We might manage it with the help of Nina Alexandrovna, so that he might be closely watched in his own house. Unfortunately I am not on terms... otherwise... but Nicolai Ardalionovitch, who adores you with all his youthful soul, might help, too.”
IX.
Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty.
“I did not come to marry at all,” replied the prince.
“Oho, how careful one has to be with you, prince! Haven’t you put a drop of poison in that remark now, eh? By the way--ha, ha, ha!--I forgot to ask, was I right in believing that you were a good deal struck yourself with Nastasia Philipovna.”
“_Au revoir!_ I shall amuse them all with this story tomorrow!”“Well, bring them, with or without respect, provided always you do not drop them on the way; but on the condition,” went on the lady, looking full at him, “that you do not cross my threshold. I do not intend to receive you today. You may send your daughter Vera at once, if you like. I am much pleased with her.”
“‘Oh, don’t mind me,’ I said. ‘Dr. B---- saw me last week’ (I lugged him in again), ‘and my hash is quite settled; pardon me--’ I took hold of the door-handle again. I was on the point of opening the door and leaving my grateful but confused medical friend to himself and his shame, when my damnable cough got hold of me again.
“Well--come! there’s nothing to get cross about,” said Gania.
There was nothing, however, of love-making in his talk. His ideas were all of the most serious kind; some were even mystical and profound.
“Why, you wished to have a talk with me when the others left?” he said.
She took the handkerchief from her face, glanced keenly at him, took in what he had said, and burst out laughing--such a merry, unrestrained laugh, so hearty and gay, that Adelaida could not contain herself. She, too, glanced at the prince’s panic-stricken countenance, then rushed at her sister, threw her arms round her neck, and burst into as merry a fit of laughter as Aglaya’s own. They laughed together like a couple of school-girls. Hearing and seeing this, the prince smiled happily, and in accents of relief and joy, he exclaimed “Well, thank God--thank God!”
| “Come then. You know, I suppose, that you must escort me there? You are well enough to go out, aren’t you?” |
| She gazed attentively at him. |
| One house in the Gorohovaya began to attract his attention long before he reached it, and the prince remembered afterwards that he had said to himself: “That is the house, I’m sure of it.” He came up to it quite curious to discover whether he had guessed right, and felt that he would be disagreeably impressed to find that he had actually done so. The house was a large gloomy-looking structure, without the slightest claim to architectural beauty, in colour a dirty green. There are a few of these old houses, built towards the end of the last century, still standing in that part of St. Petersburg, and showing little change from their original form and colour. They are solidly built, and are remarkable for the thickness of their walls, and for the fewness of their windows, many of which are covered by gratings. On the ground-floor there is usually a money-changer’s shop, and the owner lives over it. Without as well as within, the houses seem inhospitable and mysterious--an impression which is difficult to explain, unless it has something to do with the actual architectural style. These houses are almost exclusively inhabited by the merchant class. |
“What have you done, indeed?” put in Nina Alexandrovna. “You ought to be ashamed of yourself, teasing an old man like that--and in your position, too.”
At last Rogojin took the prince’s hand, and stood so for some moments, as though he could not make up his mind. Then he drew him along, murmuring almost inaudibly,
| He was not allowed to finish his sentence. Somebody pushed him back into his chair, and begged him to be calm. Nina Alexandrovna trembled, and cried quietly. Gania retired to the window in disgust. |
| “Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture. |